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Rasmussen and Mänz and... ?

In 20 years time, many of today's top pipe artisans will no longer be active. In a Pfeifenbox panel discussion, blender Greg Pease and well-known collectors Erwin Van Hove (Belgium) and Jörg Lehmann (Germany) discuss tomorrow's world. Who will constitute the very top echelon of carving in 2025? Who will be a new era's Bo Nordh, Jess Chonowitsch or Lars Ivarsson?

 
Unanimously admired by the panelists- Cornelius Mänz.

Greg Pease:
I see a couple of guys that are already poised to take over the reign, and a couple nearly there. Kent Rasmussen and Cornelius Mänz are both exhibiting everything it takes to be in the upper echelon; in the case of Cornelius even a low yearly output. Despite his more conservative approach, I think Eltang has a solid grasp of aesthetics, and produces remarkably beautiful pipes in the classical vein. Paolo Becker continues to innovate, and is in my mind the finest Italy as to offer, with respect to the 'total pipe'. Larry Roush, too, will continue to develop, and will, I think, retain the US crown for fanatical attention to detail. These guys are all young and enthusiastic, and will always push their own boundaries, constantly reaching toward that brass ring of perfection. Then again, in 20 years, we'll have seen some new young makers climb onto the rungs. It's taken Kent and Cornelius a remarkably short time to reach their current level, and there's no telling who might come along that may rocket to the top. I've got an idea who one of them might be, but I'm not telling. Like anything else, success is built upon the successes of those who came before. It's probably easier to grow giants now than it's ever been.

Erwin Van Hove:
I am convinced that pipe history will skip a generation. In my opinion, none of the established Scandinavian and German masters will ever be perceived as the equals of Bo, Jess and Lars. The only two carvers who seem to have what it takes to become mythical are the young lions who have managed to impress the connoisseurs in record time: Kent Rasmussen and Cornelius Mänz. Both of them are obsessed with perfection and attention to detail, which results in superiorly engineered pipes. Moreover, both of them managed to develop a vocabulary of their own surprisingly fast. The Snails and Ballerinas of the future will be designed by Kent, while Cornelius will become the master of elegant understatement in a Jess-like way

Jörg Lehmann:
When the grand Scandinavian masters are around 80 to 85 years old, today's 'second league' will also be in its seventies. So, I think we have to look at the younger age group of carvers like Cornelius Mänz or Kent Rasmussen. But the more I have learned about Teddy´s shapes, the more I have some doubt that Kent will be able to introduce new shapes in the future.

I don't know how old Tony Rodriguez is, but he also seems highly talented. We should also take Nanna Ivarsson into account. These are the four carvers I have in mind, who may have the potential to become grand masters. That said, I am also very sure that there are others, still relatively unknown.

Erwin Van Hove:
Jörg, I don't think you're doing justice to Kent when you express your doubts about his creative potential, simply because he has gotten some guidance from Teddy. Even at this early stage in his career, it is evident he isn't a Teddy epigone. I see Kent experimenting not only with shapes, but also with finishes, and doing a very interesting job at that. And talking of shapes, it seems to me he is both able to come up with a couple of beautiful new ones and to produce great interpretations of existing shapes. Peter Klein made a Ramses interpretation. It looks pathetic. The one Kent came up with shows his obvious sense of equilibrium and harmony. He understands how a shape works. This is quite rare. I think you're underrating his potential.

Greg Pease:
It's hard to predict what will become tomorrow's neoclassical shape, but I'm inclined to think that Kent will continue to coax the briar into ever more challenging forms, rather than create a few trademark shapes. Bo Nordh's corpus is small, as his output has always been quite limited. I think the reason he is best known for a few shapes is a result of this. With Kent's higher output, it's hard to see his recognition limited to a few shapes. I wonder if anyone will ever really take Bo's place in this regard.

Jörg Lehmann:
It is really very hard to look in the future. Three years ago, Cornelius was still completely unknown, and Kent was also a name for a few experts. Of course, whether another person will arrive on the scene must remain open. It is a pity that nobody apart from myself has spoken of Tony Rodriguez. But it's also thrilling to know that Greg has a hot tip - though, understandably, he doesn't want to mention him in public yet.

 
 

(February 16, 2004)

     

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© 2004 und ViSdP: Martin Farrent